edelweiss

I curl a finger on the strange petals —
reminiscent of grandmother’s laces, the macrame
she wove with deft, withered fingers,
spooling out shapes phantasmagorical, like fairies
and the strangest of the world’s beasts;

then —
I dip my thumb in the golden center and come away
bearing honey, the scent of it distinctly alpine;
it says a lot about us, choosing this borrowed bloom
as our signet.

as a child, I saw so many other flowers;
and so the wonder grew within me — why this one?
why, when there are forests full of lilac,
when quince hangs heavy every May, come autumn
wilting into the queenliest of all fruits?

then —
it dawned upon me: as a nation, we have always been
ashamed of our heritage, or at least of the parts
which were deemed unseemly — the Eastern blood,
the Slavic fire.


we bought the country kings of German blood;
of course we also bought their seal.


LIANNA SCHREIBER is a Romanian author. A self-described “New Romantic”, her work mostly concerns itself with gods, monsters, and human nature as it is caught between the sacred and the profane — all wrapped up in an overabundance of floral imagery.

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